The Music Notation Project

Exploring Alternative Music Notation Systems

Main menu

Skip to primary content
Skip to secondary content
    • Guided Tour
    • AudioVisualizer
    • Gallery
    • More Notation Systems
    • Criteria for Systems
    • Evaluative Research
    • Tutorials Overview
    • 6-6 and 7-5 Pitch Patterns
    • Noteheads and Pitch
    • Intervals: Traditional System
    • Intervals: Reading and Playing
    • Intervals: 6-6 Systems
    • Chromatic Staves Example
    • Enharmonic Equivalents
    • Numerical Notation Systems
    • Software Overview
    • LilyPond
    • Finale
    • MuseScore
    • Sibelius
    • Open Source Strategy
    • MNMA Overview
    • Research Project
    • Publications
    • Conferences
  • Wiki
  • Forum

Lines a Tritone Apart, 2 per Octave, or 1 Line per Octave

Some systems have two lines per octave, evenly spaced at a half an octave apart (one tritone or six half-steps). Bold, dashed, or ledger lines are used to allow identification of lines when multiple staves are stacked contiguously. One system uses only one line per octave, giving it the least dense appearance of any system, but it also uses the most ledger lines, with 7 of the 12 pitches requiring them. Some systems use hollow or solid noteheads or shaped noteheads to help differentiate between adjacent pitches.  (Also see Equiton, which has one line per octave but lacks pitch-proportionality.)

Chromatic scale from C to C in MUTO Notation by MUTO Music Method FoundationC C#/Db D D#/Eb E F F#/Gb G G#/Ab A A#/Ab B C

MUTO Notation by MUTO Foundation, 1995

Chromatic scale from C to C in Thumline Notation by Jim PlamondonC C#/Db D D#/Eb E F F#/Gb G G#/Ab A A#/Ab B C

Thumline Notation by Jim Plamondon, 2005

Chromatic scale from C to C in Express Stave: Pianoforte Notation by John KellerC C#/Db D D#/Eb E F F#/Gb G G#/Ab A A#/Ab B C

Express Stave: Pianoforte Notation by John Keller, 2010

Chromatic scale from C to C in Express Stave, 6-6 Jazz Font by John KellerC C#/Db D D#/Eb E F F#/Gb G G#/Ab A A#/Ab B C

Express Stave, 6-6 Jazz Font by John Keller, 2009

Chromatic scale from C to C in Express Stave, Original Version by John KellerC C#/Db D D#/Eb E F F#/Gb G G#/Ab A A#/Ab B C

Express Stave, Original Version by John Keller, 2005

Chromatic scale from C to C in Express Stave, Tricolor Version by John KellerC C#/Db D D#/Eb E F F#/Gb G G#/Ab A A#/Ab B C

Express Stave, Tricolor Version by John Keller, 2010

Chromatic scale from C to C in Untitled by Robert StuckeyC C#/Db D D#/Eb E F F#/Gb G G#/Ab A A#/Ab B C

Untitled by Robert Stuckey, 1983

Chromatic scale from C to C in Untitled by Nicolai DolmatovC C#/Db D D#/Eb E F F#/Gb G G#/Ab A A#/Ab B C

Untitled by Nicolai Dolmatov, 1995

Notation System Groups

  • Lines a Whole Step Apart, 5 Lines per Octave
  • Lines a Whole Step Apart, 4 or 3 Lines per Octave
  • Lines a Whole Step Apart, 6 Lines per Octave
  • Lines a Whole Step and Major 3rd Apart, 4 per Octave
  • Lines a Minor 3rd Apart, 3 or 4 Lines per Octave
  • Lines a Major 3rd Apart, 3 Lines per Octave
  • Lines a Major 3rd Apart, 2 Lines per Octave
  • Lines a Major 3rd Apart, 2 per Octave, Compact Staff
  • Lines a Tritone Apart, 2 per Octave, or 1 Line per Octave
  • 7-5 Line Pattern, 3, 5, or 6 Lines per Octave
The Music Notation Project
A not-for-profit organization sustained by the contributions of volunteers and supporters. Except where otherwise noted, content on this site is licensed under a Creative Commons Attribution-ShareAlike 3.0 Unported License.
  • Home
  • Notation Systems
  • Tutorials
  • Software
  • MNMA
  • Wiki
  • Forum (Google Group)
  • About, FAQ, Contact Info
  • Blog
  • Community
  • Contribute
  • Facebook
  • Return to Top