Music Notations by Line Pattern
The images below illustrate various alternative music notation systems. Each one shows a chromatic scale from C to C. Click on an image to learn more about a particular system. They are sorted into two main groups: those in which the staff lines are all a whole-step apart, or some multiple of a whole step (major third, tritone, or octave); and those displaying a 7-5 pattern, in which some lines are a half step or minor third apart. Within the first group, the systems are further organized by number of lines per octave. You can also view them by 7-5 and 6-6 Patterns and by Date. For a general introduction see the Music Notations Guided Tour.
Basic 5-Line Systems by Multiple Designers (1847 - 1920)
Untitled by Grace Frix (1992)
C-Symmetrical Semitone Notation by Ronald Sadlier (1991)
Notation Godjevatz by Velizar Godjevatz (1948)
6-6 Tetragram by Richard Parncutt (1996)
A-B Chromatic Notation by Albert Brennink (1976)
Untitled by Johann Ailler (1904)
Untitled by Klaus Lieber ( Before 1983)
Notation for the System of Equal Tones Applied to the Chromatic Keyboard and Seven-tone or Twelve-tone Notation by Gustave Decher and Hans Krenn (1877 and 1910)
Untitled by Franz Grassl ( Before 1983)
Ambros System by August Ambros (1883)
Douzave System by John Leon Acheson (1936)
NotaGraph by Constance Virtue (1933)
Note for Note by Walter H. Thelwall (1897)
Proportional Chromatic Musical Notation by Henri Carcelle (a vertically oriented system) (1977)
Chromatic 6-6 Notation by Johannes Beyreuther (1985)
Untitled by Arnold Schoenberg (1924)
6-6 Klavar by Cornelis Pot (vertically oriented system) ( Before 1975)
Panot Notation by George Skapski (1956)
Untitled by Johannes Beyreuther (1959)
Expanded Twinline by Paul Morris (2006)
Chromatic Twinline by Leo de Vries (1986)
Diatonic Twinline by Leo de Vries (1986)
Twinline by Thomas Reed (1986)
Black-Triangle Twinline by Doug Keislar (2006)
White-Triangle Twinline by Paul Morris (2006)
Bilinear Notation by Jose Sotorrio (1997)
MUTO Notation by MUTO Music Method Foundation (1995)
Thumline Music Notation by Jim Plamondon (2005)
Express Stave by John Keller (2005)
Untitled by Robert Stuckey (1983)
Klavar, Mirck Version by Jean de Buur (2006)
Keyboard (or 7-5) Trigram Notation by Richard Parncutt (1989)
Avique Notation by Anne and Bill Collins (1974)
0-5-7 Notation by Richard Parncutt (1984)
As an educational and informational resource, we seek to present these music notation systems in a fair and even-handed way. Unless otherwise noted, they each meet all of our desirable criteria for alternative music notation systems. If you are the designer of a music notation system, and would like us to consider adding it to our site, see For Notation Designers.